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I was reminded of Oliver Stone's " Born on the Fourth of July," which also follows a young man into and out of Vietnam, and knows him so much better.Daniel Robert Elfman (born May 29, 1953) is an American film composer, singer, and songwriter. I wanted to know more about Anthony, more about his thoughts and feelings. It's as if the Hughes Brothers have led us into the wrong story. Is it likely that a young woman who has never committed a crime before would shoot a cop several times with little provocation? Is it likely that the gang's disguises would look like fanciful mime makeup? Is it possible that several cops can be killed in an extended gun battle at a Federal Reserve Bank without a quick police response? More to the point, is it likely that Anthony's life would lead to this sequence of events? I don't think so. Many of the details are wrong, but I'll mention just three. That's when he joins with Kirby, some of his Vietnam buddies, and his revolutionary sister-in-law ( N'Bushe Wright) in an elaborate scheme to steal thousands of used bills ("dead presidents") from a U.S. He gets a job in a meat market, but when the market closes, he is left broke, unemployed, with another child on the way. (Asked by his mother if he picked up any "bad habits," he says, "No, ma, except a little killing - for my country, of course.") He discovers that Juanita has had a baby, and joins her when he comes home to the Bronx, although he is enraged by a pimp who helps to support her. It shows what the brothers (Allen and Albert) do best: capturing the truth of ordinary life.Īnthony's parents want him to go to college, but he enlists in the Marines, and there is an extended center section of convincing war footage, including atrocities committed by both sides.
DEAD PRESIDENTS DANNY ELFMAN COMPLETE MOVIE
This scene is much truer than the standard movie scenes of first-time lovers, who inevitably perform like endurance champions.
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The scene begins with him finding Kleenex stuffed inside her bra ("It don't matter") and continues as he clumsily tries to figure out what to do next ("That's not it," she whispers). Kirby has an artificial leg, and I liked the way the humor builds in a scene where he goes to collect money, gets in a fight and finds it hilarious that his opponent goes for the wrong leg.Īnother of the movie's best scenes, gentle and true to life, shows him making love for the first time to his girlfriend, Juanita ( Rose Jackson). He earns money helping a milkman (did they still have those in the late '60s?) and then working as a numbers runner for Kirby ( Keith David), the local pool-hall operator. The earlier scenes are the best, as Anthony grows up in a supportive Bronx family. All causes for unhappiness and frustration, yes, but they don't convincingly lead to the film's conclusion, which plays more like the flashy climax of a caper movie. There are, to be sure, some of the usual reasons: He was exposed to violence in Vietnam, he can't find work, he has started to drink, his wife nags him because he can't support his family. While the earlier film tried to explain that drift, this one is more passive Anthony ( Larenz Tate, "O-Dog" in "Menace") keeps so much to himself that by the end, as the bullets are flying, we don't understand how or why he would be involved in an armed robbery. The new film, set in the late '60s, follows, like "Menace II Society," several years in the life of a young black man who is not evil, but who finds himself drifting into crime and trouble.
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Scene by scene you feel its skill, but you leave the theater wondering about the meaning of it all. But they are not as sure when it comes to story and meaning, and here is a film that feels incomplete, as if its last step is into thin air. They have a sure sense of the camera, of actors, of the life within a scene. "Dead Presidents" suggests that the Hughes Brothers, whose great film " Menace II Society" (1993) was finished when they were only 21, are born filmmakers.
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